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ELTS 167European Identities in Classic Hollywood and Los Angeles, 1924-1950

European Languages and Transcultural Studies · 4 units · Undergraduate upper division (100-199)

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Exploration of myriad European identities within classic Hollywood studio system and within city of Los Angeles as site of cultural production. In-depth analyses and historicizing of impact of European émigrés and exiles on American cinema, especially development of film noir as key genre. Discussion of European identities including film artists from France (Maurice Chevalier, René Clair, Jean Renoir), Germany and Austria (Fritz Lang, Ernst Lubitsch, Robert Siodmak, Billy Wilder), Italy (Frank Capra), and Sweden (Ingrid Bergman, Greta Garbo, Warner Oland, Victor Sjöström). Includes compelling urban humanities component. Investigation of history of Los Angeles as growing urban metropolis that emerges as key locus of American and global mass media culture. Examination of how films and secondary scholarship further reveal how inextricably Europeans in Los Angeles—including artistic and intellectual exiles from Hitler’s Nazi-occupied Europe in 1930s and 1940s—shaped this key 20th-century art form.

P/NP or letter grading.

When it runs

Not on the schedule for any of Fall 2025 through Spring 2027. UCLA publishes only that window, so this does not mean the course is gone — check the official listing.

Requisites

UCLA lists no requisites for this course.

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About ELTS 167. We read UCLA’s requisite wording by machine, and it gets things wrong.

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Requires

Everything that has to come before this course, not just the courses named in the requisite above.

Nothing — this is an entry point.

Unlocks

What this course is a requisite for, and what those courses lead to in turn.

No course in the catalog lists this as a requisite.