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DANCE 117BTheories and Methods in Dance Composition IV: Impacts

Dance · 4 units · Undergraduate upper division (100-199)

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Examination of relation of dance to its audience. Synthesis of analyses undertaken in previous courses to determine how dances move their viewers. How do dances appeal to or address their audiences? How do dance vocabulary, sequencing, and location combine to create particular effects? Answers to these questions in relation to broad range of artistic approaches, acknowledging that dance-making occurs distinctively in different cultural contexts and different historical moments. Different approaches to dance result in highly distinctive kinds of responses from audiences. Focus on creation of three in-depth studies, each of which endeavors to construct distinctive kind of response from viewers.

P/NP or letter grading.

When it runs

  • Winter 2026
  • Winter 2027

Scheduled, not typical — from UCLA’s Schedule of Classes, which publishes Fall 2025 through Spring 2027 and nothing before it.

Requisites

Official UCLA wording

Enforced requisites: courses 16, 67A, 67B.

BruinTree reads · Prerequisite

confidence 1.00 · from text
all of
  • DANCE 16
  • DANCE 67A
  • DANCE 67B

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About DANCE 117B. We read UCLA’s requisite wording by machine, and it gets things wrong.

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Requires

Everything that has to come before this course, not just the courses named in the requisite above.

DANCE 117B

  • DANCE 16Beginning Improvisation in Dance
  • DANCE 67ATheories and Methods in Dance Composition I: Languages
    • DANCE 16Beginning Improvisation in Danceanother path to it
  • DANCE 67BTheories and Methods in Dance Composition II: Processes
    • DANCE 67ATheories and Methods in Dance Composition I: Languagesanother path to it

3 direct requisites. The whole upstream is here — 5 courses over 2 levels. Every course here opens its own tree.

Unlocks

What this course is a requisite for, and what those courses lead to in turn.

No course in the catalog lists this as a requisite.